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015//More things to more people

Hiatus, over! Well, it was never officially taken, but that’s how life goes. After a fairly uneventful end of summer, the semester steams ahead. Projects and deadlines are looming ahead and I’m trying to stay on top of things and get ’em done. (I’m tragically trying to recreate the post I had half way finished, but didn’t save, since there’s no option in the “quick” post module…grrrr.)

Two weeks ago, I went to a really interesting discussion at Harvard. The panel was: Joseph Horowitz, Mark Volpe, Jeremy Eichler,  and Lloyd Schwartz. Respectively, they are a historian, managing director of the Boston Symphony Orchestra and two music critics. The alarmist title to the discussion was <<Classical Music in Crisis.>> Don’t worry, the panelists and hosts also denounced it as such. The biggest point that all the panelists could agree upon was that classical music is NOT for the privileged or hyper educated crowd—it needs to be, as Eichler stated, “more things to more people.” Bingo! However, the steps to make it such are somewhat nebulous. Horowitz is a promoter of combining performances and education simultaneously. He has led very successful and engaging programs that fuse literature and visual art with music. His big push is for an interdisciplinary approach of spreading classical music around. Schwartz, one of the music critics, is also for education, but doesn’t want “learning thrown at him.” An interesting take on the situation for sure…how much do we need to be extolling the virtues of classical music? It should be self evident, but it’s not, in many cases. I’m don’t think it’s from lack of interest, but from lack of exposure and opportunities. But creating those opportunities isn’t easy either…

Basically, it boils down to how music affects people, how it changes people, how it’s all about relationships. Horowitz said the orchestra’s circle needs to expand—how to do it it is the big question. This presents a lot of food for thought. One interesting and interdisciplinary (or inter-genre) approach is an album of remixed Philip Glass compositions. More information can be found here (http://philipglassrework.com/). I really liked the two sample tracks, so much that I even splurged and bought the special “glass” LP! This is more of a commercial/popular approach to spreading classical music, but it’s a start. I don’t think there’s one solid answer: solutions will be fluid, personal and localized. Suggest a favorite symphony to someone who’s never explored classical music, or drag (er, invite) friends to an afternoon concert. A lot of universities and conservatories give free/donation based/very reasonably priced recitals and concerts. Take advantage of what your city/local schools/youth orchestras are offering—it’ll always be more than expected!

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